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If music be the food of love, and money is the root of all evil, than what does it mean when you get paid for your music?
All tim p scott music is licensable for synchronization, website sonfication or any other perverse use you want to find for it. Contact us if you are interested in ordering full lenght CDs, individual track licenses, or if you want original music for your website or other production.

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If you're looking for the pages that used to be at www.vigra.com/~tims back in the 1990s, go to the Padded Cell...
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Stuff we use and love

Commercial music and sound software

1. Live www.ableton.com This is The Absolutely Indispensible Axe for the last few years in my studio
2. Sonar and Project5 www.cakewalk.com I loved Opcode Vision a lot but with the demise of the Mac, Sonar is a pretty good tool. P5v2 came out and has really improved over v1 both in design and CPU load.
3. Reason www.propellerheads.se The grandaddy of soft studios.
4. Sound Forge and CD Architect, formerly from Sonic Solutions, now owned by Sony.

The ultimate music and sound design geek kit...

Max/MSP formerly from Opcode Systems, now sold and supported by Cycling '74

SSEYO Koan 2.7 I don't think anyone else in the world uses this, but it's a great tool for algorithmic music generation. (See some more details on my Koan page.) Imagine my surprise in 2008 when the team that developed Koan announced a new product descended from it, called noatikl.

Believe it or not, as of 2007 I am looking at CSound and ChucK (I think it's at http://chuck.cs.princeton.edu) CSound has a clunky, ancient architecture, but it has decades of work that has been done on it. ChucK is very new but it is designed for multi-threaded sample accurate realtime audio...it sounds like a programmatic way to do things that Ableton Live does. More research continues...

Other interesting places and things

Red Bull Music Academy You thought it was just a weird energy drink to mix with vodka? Check their site out to see how they support upcoming artists and producers...
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